Loomis comes to Seth Holly's Pittsburgh boarding house, on with a number of other characters, all of whom are seek something without necessarily knowing what it is. Loomis himself is not sure what it is he is seeking--he may believe it is his wife and that he is going to leave when he take a chances her, but in truth he is looking for himself, his authorized self, all the time. For instance, Seth Holly is seeking the same thing in terms of economical freedom, and what he says he wants is to compete on a level playing field with the white businessman. He at least has a better idea of what this essence than Loomis understands about his be possessed of original plan.
The mathematical group at the boardinghouse forms a sort of de facto family group made up of Bynum Walker, a conjure man who tells stories; Rutherford Selig, a white peddler who helps blacks take on lost loved ones on the side; Jeremy, a youthfulness man newly arrived from the South; and Seth Holly, who is a tinsmith working for a white owner and dreaming of starting line his own business for himself and his wife, Bertha. Each of these characters is in the process of seeking something or, in the case of Walker and Selig, in helping others reckon what they are seeking. Selig indeed brings Seth the material he demand to make his wares, and
In the play, Jeremy refuses to remuneration protection money to a white boss and loses his job, so he takes a girl with him and runs away from all responsibility. In some way, Loomis is about to run away as well, though not to a life of pleasure but just because he does not know what he is really meddling for in the firstly place. He thinks he must find his wife, and when he does, he tells her, "Now that I see your typesetter's case I can say my goodbye and make my own world" (Wilson 101). The image Bynum has raised earlier is the image of the " glassy man." Bynum had hired Selig to find the " vivid man" for him. Long before, Bynum had met the "shiny man" on a coun chastise road, and this was for him a secluded experience.
He believes that this man showed him the meaning of life, and it is that meaning he tries to add to Loomis, indicating to him that finding oneself is the true test and is what Loomis really wants. In the end, though Loomis does leave as he intended, he does so as a different man, one who has achieved a degree of fellow feeling denied him before, and so Bynum identifies him as the new "shiny man": " notify Loomis, you shining! You shining like new money!" (Wilson 102). Thus, Loomis fulfills his first name as he is now truly a herald of a brighter future.
Loomis enters this group, and his brooding manner affects the others and makes them react to him. The members of the group are from North and South. None of the blacks really knows anything of their heritage, though they try to act out aspects of it, as in the African juba leaping that so offends Loomis because he sees all religion as a sop to the masses and as only another pith for keeping black people quiet. Those form the South have been forced from the ties they had in that part of the country by economic changes, and now they are trying to make their way in a place even more alien to them. Loomis becomes the mettle of the story, but the play really blends all these characters around the exchange issue o
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