Sherwood Anderson's Winesburg and Meridel Le Sueur's Salute To Spring

The differences in the novels and the points of view of the authors owe much to the changes which occurred between the two beat periods. The meterless population of Anderson's novel reflects a world before the World fight I, before the Roaring Twenties, before the Great Depression. Le Sueur's novel, on the other hand, reflects a far more realistic and semipolitical world, a world which has had time to reflect on a world war, on the illusionary prosperity and happiness of the 1920s, and on the suffering wrought by the collapse of that illusion and the approaching of the Great Depression. For Le Sueur it was hardly enough to have a main character who listens to the woes of people in order to ulterior set them down much as they were expressed. What is needed, Le Sueur is indicating, is a revolutionary change in the very structure of society.

It expertness be fairly said that Le Sueur's book begins where Anderson's leaves off. here we have the ending of Anderson's novel:

The young man's mind was carried absent by his growing passion for dreams. One looking at him would not have thought him particularly sharp. With the recollection of modest things occupying his mind he closed his eyes and leaned back in the car seat. He stayed that way for a long time and when he aroused himself and again looked bulge of the car windowpane the town of Winesburg had disappeared and his animation there had become but a background on which to paint the dreams of his manhood (Anderson 247).

I felt my legs straighten. I felt my feet totality in that strange shuffle of thousands of bodies moving with direction, of thousands of feet, and my own mite with the gigantic breath. As if an electric charge had passed by means of me, my bull stood on end, I was marching (Le Sueur 191).

The young man, going out of his town to meet the adventure of life, began to think but he did not think of anything very big or dramatic. Things same(p) his mother's death, his departure from Winesburg, the uncertainty of his future life. . . . He though of precise things---Turk Smith wheeling boards . . . , Butch Wheeler hurrying through the streets . . . , Helen White standing by a window. . . . (Anderson 246-247).

Le Sueur, again, makes consume that collective action is the answer to the suffering of humankind. This perspective is root in the growing influence of leftist politics which emerged in the world in the 1920s and 1930s:

Anderson is a panther of human life, and his main character

Anderson's world remains entrenched in a time when most people still retained a simple faith in God, a time before world war and world-wide depression and a decade of illusionary pleasure and wealth (the 1920s). Accordingly, we find the philosopher in Anderson's lend offering this perspective on reality:

Like umteen Americans, I will never recover from my sparse childhood in Kansas. The blackness, weight and terror of childhood in mid-America overhead deep into the stem of life. . . . Those who survived without psychic mutilation have a life cunning, to keep the stem tight and spare, withholding the deep blossom, permit it sour rather than bloom and be blighted (Le Sueur 7).

Le Sueur, Meridel. Salute to Spring. New York: International, 1989.

You must pay attention to me. .. . If something happens perchance you will be able to write the book that I may never get written. The idea is very simple, so simple that if you are not careful you will provide it. It is this---that eve
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