Definition of Islam

Within the family context, most Islamic family members believe that their first and most important loyalty lies with the family, whence to a tribal group, and finally to the larger society.

From rituals involving prayer to dress, Islamic finishing historically maintains many rituals of interaction. One of the best cognise of these rituals is the wearing of the veil by Muslim women. Such rituals specify the values of Islamic society and distance one culture from another. The veil worn by women and the practice of "purdah", or the seclusion of women, are important rituals in Islamic culture. veil is understood as a means of protecting women from the likely of an attack by unknown or known males. It is as well associated with the maintenance of masculine honor through the protection of feminine virtue. Islamic society regards women as in need of conceal and secluded protection, because "women are unable to control their sexuality, are tantalising to men, and thus a very real threat to the neighborly order" (Fernea and Fernea 2000, 110).

Many rituals like these are viewed negatively in the West. However, the Islamic get a line demonstrates that women and men realise particular roles and duties nevertheless women have much more power than commonly comprehend in the West. The experience of women is unique in Islamic culture. Islam regards the experience of marriage as that state of being in whi

Gardner, H. (1952). Art Through The Ages. New York, NY: Harcourt, gear up and Co.

Artistically, Islamic culture exhibits a number of different aesthetical pursuits.

The art and architecture of the Islamic culture developed on board Islamic expansion from its roots in the Middle east to a global power of enormous power and authority. The Islamic culture, as manifested in art and architecture, literature and poetry, was energized by an " passing dynamic religious force that served as an impetus for all(prenominal) of these cultural expression" (Gardner 1952, 285). Islamic art and architecture have manifested themselves in diverse courses, strongly influenced and shaped by local anaesthetic traditions and sometimes merely grafting upon the indigenous art forms a few of its own requirements. Gardner (1952) points out that at first, the Muslim conquerors, who were mostly Arab nomads with no visual arts of their own and a way of life that precluded the erection of permanent structures, simply borrowed or altered what they found at hand (286). Later, as their control o'er various regions became more stable, these people would develop and refine an chaste and architectural canon that relied heavily upon the use of geometric symbols as ornamentation and the fu
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