This study will argue that last mentioned point, using The Prince and the analysis of Machiavelli by Silvia Ruffo-Fiore in Niccolo Machiavelli. The inglorious flaw in Machiavelli's thought is that he ascribes to the ideal leader qualities which he denies all separate people. In fact, all humanity beings are deeply flawed in one centering or a nonher, all subject to corruption, and the greater the corruption and power, the grater wrongfulness the corrupted powerful leader will do. When Machiavelli advocates amorality in the prince, he introduces corruption. When such a leader, corrupt from the beginning, gather great power unto himself, he will inevitably bring great destruction to his own people and usually to people of other states.
Machiavelli would likely argue that he is profoundly realistic, for his principles of effective leadership, as put out in The Prince, are based on what he sees as a cold-bloodedly
As Machiavelli notes, if the leaders "depend on their own energies and asshole make use of force, then they hardly ever light to grief" (Machiavelli 18). His ideas can be used as mind justification not only for the brutality of tyrannies, unless too for much of the corruption and deception which are today so blatantly a part of the democratic process as well.
[The Prince] should calculate the sum of all the injuries he will stick to do, and do them all at once, so as not to have to do new ones every day; simply by not repeating them, he will frankincense be able to reassure people, and win them over to his incline with benefits.
However, he is certainly not a cynic with deference to what he believes politics can accomplish under a powerful prince with an organized army and an obedient populace. To Machiavelli, perhaps the major tool for accomplishing goals by the political leader is war. Any leader who ever chose war as a means of accomplishing such political goals can use Machiavelli as his intellectual tyro: "A prince . . . should have no other object, no other thought, no other subject of study, than war. . . . This is the only art for a man who commands" (42). Not the welfare of the people, not the "refinements of life" (42), but only war, for the prince who is a master of war will dwell a prince.
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