Poetry Analysis †Coleridge, Tennyson, Hopkins Essay

The wild-eyed poet Percy Shelley once wrote, song lifts the veil from the hidden violator of the world, and makes familiar objects be as if they were non familiar. Both the Romantic and the Victorian percentage points of poetry fol source-class honours degreeed Shelleys vision of poetry as they exposed their respective societal issues. Romantic period lasted from1785 to 1830, a time in which England moved from an agrarian to industrial country and overall nationalistic humorls threatened the individuality of the poets and artists. The Romantic period of poetry was beca enjoyment very reactionary.It was a reaction to prudence ideas, to the disregard for human living in revolutions, and to the uniform of nationalism. The decay of social values that took place in the latter part of the Victorian period spurred many writers to shift the mise en scene of their work from the Romantic natural forms to education, womens rights, and political ideologies. Though cardinal period s produced a momentous achievements in structure, language, and melodiousity of the poetic movement, the Romantic period emergenceuated an extreme feat in poetry in a unmingled fifty years.Samuel Coleridges The Rime of the Ancient Mariner is a Romantic ballad in seven parts, with fairly regular quatrains. Its fiddling prison term structure develops steady movement, allowing to the commentators engagement to grow as the tale progresses and the speaker systems message is unveiled. The tetrameter structure reveals an explanation of the patronage the Ancient Mariner orally recites his tale, teaching a universal less(prenominal)on on natures value and the mans deserving of respect. Coleridge uses two dialogue and varying perspective to establish a credibility in his work. An omniscient narrator speaks of an instance where the bright-eyed Mariner tells his story to a wedding-guest and the effect the tale has on him a sadder and a wiser man, / He rise the morrow forenoon (Coler idge 624-625).Coleridge often utilizes the effect of exclamation points when the Mariner is speaking to convey his passion, as in Farewell, farewell but this I tell / To thee, thou Wedding-Guest / He prayeth well, who loveth well / Both man and bird and beast (610-613). By capitalizing the scratch line letter in various important paroles, Coleridge successfully enables to the reader to render a symbolic heart and soul behind the select terms. For instance, Albatross, though non a proper noun, is capitalized in each reference he makes to the dick yet when referring to the water-snakes and the sky-lark Coleridge does not capitalize the terms as they hold less symbolic value in the Mariners tale.Is this the man?By him who died on cross,With his cruel bow he laid full lowThe harmless Albatross.The spirit who bideth by himselfIn the land of mist and snow,He loved the bird that loved the manWho shot him with his bow.(Coleridge 397-405)The Albatross is capitalized to read the pure honour and divinity of nature and Gods creations. gain interpretation also shows Coleridges capitalization of the Albatross to allude to savior Christ.Alfred, Lord Tennysons Crossing the Bar is a comforting and uplift Victorian Era poem somewhat the end of flavours journey. Tennysons calm language and peaceful imagery envelop the reader in consoling compassion rather than a miserable bereavement at the thought of a loved-ones passing. He introduces the dwindling of careers stinkerdle as he opens with a metaphor beautifully comparing flavor ending and death to sun station and evening booster cable (Tennyson 1). Hoping for the end to be as painless as the sunset Tennyson alludes to the penetrate of the ocean thrusting against the sandbar, And whitethorn there be no moaning of the bar, / When I put out to sea (Tennyson 3-4).Tennysons word choice throughout the extended metaphor of this poem impels the reader to think carefully about what his heart and soul is, rather than take the literal sense. For instance, when Tennyson refers to turning home again his home is not meant to be the humble earthly abode in which hes carried out his years he instead is alluding to paradise (Tennyson 8). The imagery of the concluding stanza informs the reader of the entire poems meaning For though from out our bourne of Time and Place / The flood may bear me far, / I hope to see my Pilot exhibit to face / When I put one across crossed the bar (Tennyson 13-16). Here Tennysons meaning of the bar manifests as he alludes to meeting his creator in this smash image of crossing the oceans sand bar, the boundary of aliveness and death, into the un recognizen after livelihood.Upon reading Gerald Manley Hopkins Spring and Fall to a young fry it becomes difficult to stop oneself from creating a tune to match the beat of this musical Victorian Era poem. With an AABBCCDDDEEFFGG rhyme scheme the poem begins with three rhymed couplets, followed by a rhyming triplet, and conclu ded by another set of three rhyming couplets. The varying line lengths express the drama in the speakers voice ranging from the short iambic triameter to the longer tetrameter exposing the speakers message. A well-set biblical message is surfaced by the songful and hymnic movement of this piece. Hopkins uses alliteration to make his point clearly understood.The repetition of the W words, in Though worlds of wanwood leafmeal lie / And yet you will weep and know why, is utilize to tell Margaret about the changes maturity selects and the misery of knowledge (Hopkins 8-9). The alliterations used in the last rhyming couplet impart the speakers firm religious beliefs to the reader as Hopkins states It is the blight man was born(p) for, / It is Margaret you mourn for. Hopkins uses the B and M words to emphasize the liaison amid her future sins and those made by Adam and Eve. As the speaker two open and closes this short poem repeating Margarets name he creates an alpha and omega im age for the reader Margaret is her beginning and her own end. nonesuch derived from mayhem would be an apt description of William Wordsworths Ode Intimations of Immortality from Recollections of Early childishness though perfection is not quite a befitting word to depict the pulchritude of this piece. This poem is both a reactionary piece, and a manifestation of time, as the prefatory four stanzas were written at least two years prior to the latter seven. Through the chaos of its structure comes the beauty of one of Wordsworths most renowned poems. Following the aberrant nature of the Romantic poets, Wordsworths Ode is composed of eleven stanzas irregular in form, length, meter, and syntax.Though penetrating in nature, this piece veraciously speaks the whispers of juvenescent truths as its title would suggest. Ode Intimations of Immortality from Recollections of Early Childhood, implies a commitment to the indications of eternal life, which from early childhood memories are stirr ed.Wordsworths way of adorning a beautifully worded poem with familiar images and symbolic undertones helps this poem to outshine others of its like. Swathed in epiphanic universal tenets this Ode is all but trivial. In the first two short stanzas Wordsworth introduces his dilemma the speaker has lost touch with the celestial light which once had bedecked his corporeal life. He expresses his ability to appreciate the natural beauties of daily life but knows there hath past away a distinction from the earth (Wordsworth 18). Wordsworth identifies the pathos in lifes realization when childhood innocence is lost. Left with lingering questions of his embryonic virtues transience he concludes the first portion of his poem asking Whither is fled the visionary gleam? / Where is it now, the glory and the dream? (Wordsworth 56-57). With his questioning, Wordsworth obliges the readers musing on the eternal poignancy of this forsakenness.Two years time would pass before Wordsworth could concl ude his enlightenment of the souls cyclic journey and the effect it has on man. He begins the fifth stanza with an intriguing metaphor our birth is but a stay and a forgetting (Wordsworth 58). Extended throughout the poem, the idea, that the soul pulls away from the glories of promised land as man ages, is not easy for the reader to grasp thus Wordsworth explains heaven lies about us in our infancy but with age heaven and its splendor fade into the light of common day (Wordsworth 76). The paradox, between the attenuation light of God and the overpowering light of daily life, is harsh but, comprehendible. As man grows closer to the natural earth he grows apart from the virtues of the transparent heaven.To explain the shift man weathers, Wordsworth discusses the ways sanguine children become shop mechanic by making plans and charts man takes pride in learning memorial tablet but in the process slights imagination. He continues on to address a child directly thou Eye among the bl ind, metaphorically telling the son he provides a virtuous vision to those who have outgrown a strong bond with glory (Wordsworth 111). Though this bond is fleeting, Wordsworth finds happiness in the idea that man is always questioning he realizes O joy that in our embers / Is something that doth live, / That nature yet remembers / What was so fugitive there is a connection cryptical within every man that drives him to search for the truths of life (Wordsworth 129-132). His use of ABAB rhyme scheme, alternating iambs, and the metaphor of the soul to a fire that ruin low and hot makes this passage stand out to the reader and bring forth Wordsworths optimism.As he guides his reader through the advent of this Ode, Wordsworth incorporates heavy imagery and a more constant rhyme scheme. He explains that man cannot go back and relive the virtues of childhood but, will always have memories to bring him back to its gloriesThough inland far we be,Our Souls have sight of that immortal sea Which brought us hither,Can in a moment travel thither,And see the Children sport upon the shore,And hear the mighty amniotic fluid rolling evermore.(Wordsworth 161-167)He tells of how one is unable to experience these past memories but, can instead look back and observe the bliss of childhood as these recollections are immortal. Having recognized the joys that still are attainable he realizes his admiration for the mortality of the somatic world. Though he no longer rolls as freely as the brook, he loves its beauty more than ever.Wordsworth imparts the value of this apprise life on earth. Man must not view lifes course as a race. He reminds the reader of lifes impermanence, alluding to the Corinthians which suggest there is no great prize for first place in lifes race. Instead man should fork over thanks Thanks to the human heart by which we live, / Thanks to its tenderness, its joys, and fears, / To me the meanest skin rash that blows can give / Thoughts that do often lie too deep for tears (Wordsworth 200-203). Humanity blesses men with the power to treasure the meek and the ordinary, as long as man steps out of the race and moolah to admire his surroundings.