John Heartfield :: Essays Papers

John vocaliser Sargent Recognized as the jumper cable portraitist in England and the United States at the turn of the century, John Singer Sargent was acclaimed for his elegant and very stylish depictions of high society. Known for his technical ability, he shunned traditional academic precepts in favor of a modern progression towards technique, color and form, thereby making his own special contribution to the memorial of grand manner portraiture. A true cosmopolite, he was also a painter of plain air landscapes and genre scenes, drawing his field of views from such several(a) locales as England, France, Italy and Switzerland. In so doing, Sargent also played a snappy role in the history of British and American Impressionism. Sargent was born in Florence in 1856. He was the first child of Dr. Fitzwilliam Sargent, a surgeon from an emeritus New England family, and Mary Newb doddery Singer, the daughter of a Philadelphia merchant. His parent s were among the many prosperous Americans who pick out an outcast-like lifestyle during the later nineteenth century. Indeed, Sargents family traveled constantly end-to-end the Continent and in England, a mode of living that enriched Sargent both culturally and socially. He ultimately became fluent in French, Italian and German, in increment to English. Having developed an interest in drawing as a boy, Sargent authentic his earliest formal instruction in Rome in 1869, where he was taught by the German-American landscape painter Carl Welsch. Following this, he attended the Accademia di Belle Arti in Florence during 1873-74. In the spring of 1874, Sargents family moved to Paris, enabling him to reside his training there. He soon entered the studio of Charles-Emile-Auguste Carolus-Duran. In contrast to nigh French academic painters, Carolus-Duran taught his students to paint directly on the canvas, capturing the essence of his subject through relaxed brushw ork, a tonal palette and strong chiaroscuro. Although Sargent also pass four years studying drawing under Lon Bonnat at the Ecole des Beaux-Arts, it was Carolus-Durans approach that would form the aesthetic grounding of his style. Upon his teachers advice, Sargent also traveled to Spain and Holland to study the work of old master painters such as Diego Velzquez and Frans Hals, both of whom also employed skilled, placid techniques.