'Participation dance Essay\r'

'On atomic number 90 October 28th at Cardinal Carter Academy of the humanities the grade twelve’s performed their ISU readys in the theater. It was 3:30p. m after school hours. The piece I chose to critique was called, â€Å"Beyond the Reflection. ” This piece was done to the melody called Primavera. Adelaide Batuk, Julianna Bissessar and Jacalyn choreographed this piece. The dancers were Josephine Di Cosmo, P. J. Elisha, Melanie Ferrara, Lauren Paul and Chelsea Santoli. In the piece Beyond the Reflection, some(prenominal) of the choreography was contemporary style of dance.\r\nThe female dancers wore gaberdine dresses with their hair down, each in a about different agency. The male dancer wore a sportsman give care shirt and black bottoms. This group apply mirrors that hung from to a higher place the pose and hovered across centre stage. They similarly utilize black curtains that were hung over the mirrors at different propagation in the dance. This con temporary piece had five dancers; four girls and one boy. The piece had white lighting for most of the dance. It withal has some blue lighting. The choreographer chose to use snuff it lighting and side lighting, as well as floods and spot lights.\r\nThe choreographers use umpteen of the elements in their seminal piece. They apply ability, time, space and shape throughout their dance. The heartiness of this piece was calm but fierce. The music (primavera) was fall and soft but the dance moves were strong and powerful. The choreographers utilise a mixture of faculty qualities. They employ disruption various times in their dance. For example, the dancers did a ideal battement to the movement and held it in a continuous question to second, where it then grew and was lowered. Another energy type that was used was swing.\r\nThe dancers used this motion as they ran across the stage swinging their arms back and forth kindred a runner. They raised their arms and then used a fast motion on the way down due to gravity. Sustained was some other energy quality used in this piece. One of the dancers forcefully threw her arms up high in front of her and then smoothed out the motion that keep to reach forward with a sudden let on of energy. Percussive moments were also shown through out the piece, with bang-up arms and legs extending. Collapse was also used in this dance.\r\nWhen the dancers dropped to the floor and dropped their heads they were doing a collapsed movement. In the dance another element was used; this was time. The dance was completed in a 4/4 time hint and had accents on the down beats. The music was steady like a quiver in sections of the song and sub-diving pulse in other sections. The third element used in this piece was space. The dancers used some levels. gritty levels when they did a split leap, forte levels when they were standing square(a) and low levels when they dropped to the floor. The dancers were also given small moveme nts such a hand rolls.\r\nThey were also given medium and large movements when they ran across the stage and did various jumps. The populate element that was used in the piece was shape. many another(prenominal) shapes were used. Spacing was either discovers, scattered, or groups. The movements the dancers demonstrated were straight, curved, angular, interchangeable and asymmetrical. They used straight lines and straight legs on kicks. They used curved arms on pirouettes. Angular legs when they were change form low to form a strong stance. They also showed symmetrical positions in side jetes and asymmetrical movements as they ran across the stage.\r\nThe piece Beyond the Reflection had many different ways of interpreting the piece. The choreographers demonstrated the struggles and hardships in a persons life. They choreographed movement that showed the battle of their insecurities and the people that willing help them along the way. They wanted to do this piece because dancer s struggle with this situation all the time. They never intrust their good enough or tummy sincerely make it big, but the reality is that everyone brush aside impound through hard times and achieve miracles.\r\nThe sense of humour of this piece was powerful and uplifting even though the song was slower. The dancers used strong movements to show they can achieve anything and come threw and recognize the positive qualities they have. I thought this piece was presented beautifully. The dancers had great technique and also strong and passionate emotion, threw their steps and in their performance. The choreographers did a fantastic job with the choreography and the staging of the performance.\r\nI thought the costumes suited the piece and the mirrors were used apparently. The energy behind the piece and was incredible. I also very enjoyed the use of the male dancer. The three choreographers used him to his prefer and showed both males and females have life struggles and both can conquered them. This piece was very well done, and I hypothesize it was a strong and deep story line to perform apiece on. The lighting and staging was effective, as well as the movement used in this piece. I really enjoyed this piece and saw many creative movements throughout it.\r\n'