Twelfth Night.

Twelfth Night:

Scene i: The setting is the foreign land of Illyria, and the run across opens at the palace of the youthful Duke Orsino as he speaks in lyrical but melancholy verse about his slam for a beautiful countess, Olivia. A messenger arrives with bad countersign for the Duke: Olivia has rejected his marriage proposal, saying that she wishes to enter into a extremity of seclusion following the death of her brother. This vow only adds to the Dukes esteem of Olivia and her devotion increases his ardor.

Scene ii: On the seacoast of Illyria, we see the plays oldtimer protagonist, Viola with a sea captain and learn that the embark that they were sailing on has been wrecked. Sebastian, Violas twin brother, was aboard the same vessel. Although his caboodle is still unknown, the captain tells Viola that Sebastian may also fool been rescued. The story of Duke Orsinos unrequited love for Olivia is related to Viola by the captain. She then decides to join the Dukes court disguised as a young man.

Scene iii: At the palatial home of the countess Olivia, we are introduced to her uncle, Sir toby fillpot jug Belch, and to one of her servants, Maria. Sir Toby complains about his nieces reclusiveness.



Uncle Tobys concern present is not Olivias withdrawal, but its effect on his plan to follow his lovely niece to one of his rich and foppish friends, Sir Andrew Aguecheck. Maria says that Toby and Sir Andrew should tone down their hard-drinking merriment, of which Olivia disapproves. Having made no headway in his suit for Olivias affection, Sir Andrew enters and says that he will leave the house because the Duke is actively courting her, but Sir Toby assures him that Olivia has rejected the Dukes romantic overtures.

Scene iv: The act takes...

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