Natural Born Killers - Prison Escape Sequence

Discuss the prison house Escape Sequence from Natural natural Killers in Terms of Mise en Scène and Cinematography.

Natural Born Killers is directed by Oliver Stone, and is based on a screenplay by Quentin Tarantino. The film has an alternative narrative, breaking and experimenting with conventional cinematic codes. This helps to highlight the stupidity and irony of the media making heroes out of serial killers. It is a satire on violence and its role in the media. The Prison Escape sequence is a perfect example to turn up how Stone uses a wide variation of camera shots and incorporates illegitimate features and ideas into his work.

The majority of the sequence is filmed using a hold camera. This has legion(predicate) uses: including making parts of the film resembling a documentary, continuing the link to the media. The use of black and white record is also suggestive towards this, making the film more like real life. The hand-held creates an atmosphere of chaos and confusion in relation to both the criminals and the Prison Warden (Dwight McClusky). The criminals, Mallory and Mickey Knox are evenhandedly care-free as they continue their killing-spree, but they still have to forge their actions and make decisions, if they are to continue or end in way that they wish to.



In the complex building of the prison there are many corridors, corners and doorways for the prisoners to choose from, and they have actually little time to do so.

The Warden Dwight McClusky is in much the uniform position, but with opposite motives. He also has to make many speedy decisions which are all heavily affected by his passionate anger towards Mallory and Mickey. Dwight McClusky, like nearly all the different prisoners and officers present, is acting totally irrationally because of the suddenness and scale of events. The...

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