Larissa Zhurakovskya
With a population of 1,009,100 today Dublin has always been a grand city. It is only logical that the daily thought processes and tone force of its people inevitably produce certain weird dynamism, a collective consciousness. This collective consciousness does not dethaw after it is created. It is absorbed by the city itself, as it has nowhere else to go. The roads, the buildings, the bridges, and the trees gobble up this aliveness energy. Therefore, the city becomes animate with this life force and gains a certain psychosomatic will. A large city then intentionally uses this asset to manipulate its inhabitants through emotions that it uses its energy and will to create. Based on these emotions the people befuddle decisions that (as emotions generally created a uniform response) enact the will of the city. Nonetheless, because the energy and spirit of the city was produced by previous generations, its will moldiness reflect the life of the past. Therefore the emotions and actions produced by the city in present inhabitants are repetitive and regressive. James Joyce recognized this frame and wrote his Dubliners to show this stagnation and paralysis that Dublin spread everyplace its inhabitants. Joyce uses characterization, organization, and setting to promote this theme.
The setting of Dubliners is obviously Dublin.
Joyce vividly and fastidiously describes the city to show how it uses its looks and ambiance to create emotions and reactions within its residents.
We spent a long time walking about the loud streets flanked by high stone walls,
watching the working of cranes and engines and often world shouted at for our
immobility by the drivers of groaning carts. It was noon when we reached the quays
and...all the laborers seemed to be eat their lunches.
Dublin creates emotions such as entrapment, glumness, and aimlessness with...
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