During the long difficult night that move my lover and I to separate beds, I dreamed of perform building and cunt. . . . The suffering and the thick musty mysticism of the catholic church fused with the sensation of entering the vagina . . . dark, rica, full-bodied. The heavy sensation of complexity. . . . I long to enter you like a temple (Moraga 90).
It is a shock to then immediately read this bold cleaning lady's justification that she is still bound to some degree by the traditionalistic patriarchal social system which in the Mexican kitchen-gardening has the females serving as waitresses and maids for the males in the family. She still purports some certificate of indebtedness to continue in that role despite the fact that it has been a source of great trauma in her life, making her feel inferior to males and full of rage at that aim.
Moraga says that if she were asked earlier in life what being a Chicana means, "I would probably have listed the grievances make me." She says that sh
To Mama Chona, the educational achievements of Miguel are fixn by her as a reward which she impart enjoy after the trauma of all the hardships she has previously endured. The unit family is "proud of his academic achievements. . . . Mama Chona did not live to see him receive his doctorate and fulfill her dream that a portion of the Angel family become a university professor" (Islas 4-5).
The treatment of women in Islas' The fall God is far more along traditional lines than either of the other two works. Islas portrays woman as an important, besides secondary part of the family structure. Man is more important than woman, although without the woman the family would fall apart. The role of the woman is to serve the man.
This is a solution covered by both Moraga and Cisneros, exclusively in Islas it is not a thing to be hated or done away with. It is simply the way it is. Woman is made for this position, and her top executive to endure the suffering and sorrow such a position brings is what saved her and gives her her dignity in the Mexican culture and family.
Moraga, Cherrie. excerpt from Loving in the War Years. From Chicana Lesbians, edited by Carla Trujillo. Berkeley: tercet Woman Press, 1991. 90-142.
What makes her a sympathetic character to the reader is that she does not turn herself into a victim as a resolution of these traumas which she has suffered mainly as the result of mistreatment at the hands of men. She is not bitter. She is simply determined to make a place for herself in the world, whether the world likes it or not.
Cisneros, Sandra. Woman Hollering Creek. New York: Vintage, 1991.
Islas, Arturo. The Rain God. New York: Avon, 1991.
In any case, it is clear that Moraga is still attempt to find herself and her place in the world, not because she is unhappy with who she is, but because her world and her culture(s) offer her such resistance to being who she is.
How smooth she had been even when she talked---silent like those pyramids he had finally se
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