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Friday, November 9, 2012

Japanese Hot Springs

Yamamoto and his Nipponese investors take o'er Jack London College and promote Puttbutt, Puttbutt senses a slight veer in Crabtree's demeanor. When Puttbutt passes Crabtree on campus, Crabtree offers a weak smile and Puttbutt begins to marvel somewhat Crabtree (91). Meanwhile, one of the perks that went along with Puttbutt's promotion was that Puttbutt now had main course to his own confidential file. He learns that the Miltonians had been rallied by Crabtree because Crabtree did not adore of Puttbutt's master's thesis, in which Puttbutt wrote that Shakespeare's Othello was racist (94). So Puttbut plans his revenge against Crabtree. Since Puttbutt is now in charge of restructuring the departments, he informs Crabtree that Crabtree will no longer be allowed to teach a course on Middle incline but instead will pull in to teach entrant composition (99). Crabtree retorts that this would be ridiculous for a man of his right-down and then leaves in a huff. Later, when Puttbutt finds Crabtree sitting in his outmost office, Crabtree announces that he is now willing to teach the composition course. merely Puttbutt has had a change of heart: now Puttbutt wants Crabtree to teach a West African language, Yoruba. And then Puttbutt confronts Crabtree by picking up a copy of a local magazine with an word that Crabtree wrote which denounces multiculturalism and Afrocentricity and points out how Crabtree knows nothing about the Yoruba language (III 13). Crabtree, now angry, leaves w


Crabtree's metamorphosis now becomes apparent when be interrupts and says, "You make me sick with your god-damned classics." When one of the Miltonians starts to argue with Crabtree, Crabtree starts speaking spotless Yoruba, and then he thanks Puttbutt for opening his head (which he thought was dead). Crabtree says he had fun learning Yoruba and learning about the 2,000-year-old history of West Africa. When Puttbutt interjects that he only told Crabtree to teach Yoruba because Puttbutt cute to humble Crabtree, Crabtree said that, instead, he learned not to be so full of racial pride and not to essay things he did not know anything about.
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At this point, Reed's own beliefs have been clearly conveyed through the change of heart of the Crabtree character. Reed has apply Crabtree to expound his point of view that, just as the Miltonians should be tolerant of African burnish (or any other culture that they are uneducated about), so the disgruntled faculty members, including Puttbutt, should be tolerant of Yamamoto and his loyalty to Japanese culture. Reed thinks different cultures should be tolerant of each other and exist peacefully together. He hits his point home when Crabtree refuses to join the faculty members in their stand against Yamamoto's "Japanese chauvinism" (154-56): Crabtree's character illustrates that, in unbiased, multicultural thinking, racial pride is acceptable.

As for Yamamoto, he is initially portrayed as a conservative, demanding businessman who wears a black suit whenever Puttbutt arrives for Japanese lessons (45). But, after Yamamoto takes over Jack London College, be surprises Puttbutt and turns to him for put forward since Yamamoto thinks Puttbutt is the only one on campus whom he can take with (85). Yamamoto begins as the straight guy who causes Puttbutt to make jokes about the cosmea around him. For example, as Puttbutt is learning Japanese, he observes the Oakland police crusade the homeless from the sidewalks. A spokesper
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