piece With a Hoe, by Jean Francois Millet. Painted during the nineteenth century, Millet witnessed the vicissitude of a nation. The Industrial Revolution swept over europium wish a flash flood bringing with it a change in technology and brotherly classes. This change influenced artists, kindred Millet, to break away from the traditional style in calculate for the avant-garde. The working, churl class became the subject matter and source of breathing in for Millet; consequently, observation of the injustice the working class had to endure gave relationship to a new style of art named Realism. The change in artistic style was not accepted by the capitalistic critics who accused Millet of being a socialist. Because of the growing conflict between the classes and the rise of the lower class during the Industrial Revolution, Millets paintings, like Man With a Hoe, would be rejected by the bourgeoisie for decades.
Millet came from humble beginnings and knew first- hand what it was like to toil the land chthonic the unforgiving sun. Millet from the beginning was steeped in an environment where he could cover and often participate in, the tilling of the soil, the shearing of sheep, the gathering of the harvest-feast (Rosenblum and Janson 231).
Perhaps it was this inside knowledge that helped Millet to create such painstaking details on the stances of his peasants. The once docile and charming peasant of the earlier times, which had smiling the bourgeoisie, became rugged, even terrifying in appearance. Millet showed the backbreaking and rough life of the lowest order of beings in the social hierarchy, without giving them a humble air which would have pleased the middle class (L. Herbert 297).
What was it about the peasants that bothered the bourgeoisie so much? As stated earlier, Europe went through a metamorphosis from agriculture to industrial because of the rise of the Industrial Revolution. numerous peasants...If you want to get a full essay, order it on our website: Ordercustompaper.com
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