Kuleshov: "Montage Is the Foundation of Cinematography" - Discuss

 
 
 
 
 
 
 
 
 
 
 
 

Theory
 into
 Practice
 
Theories of Montage: Russian Formalism, Kuleshhov, Pudovkin, Eisenstein, Czech structural anthropology:
 

 

Montage is the foundation of cinematography. (Kuleshov) Discuss.

 

By
 Ben
 Hoy-­?Slot
 

 
 
 
 
 
 
 
 
 
 
 
 
 

ontage
 is
 a
 theory.
 It
 is
  i
 that
 is
 tied
 into
 many
  views
 of
  filmmaking,
 but
  near
 prominently
 those
 of
 editing
 and
  cinematography.
 It
 is
 a
 technique
 that
 has
 been
 exploited
 to
  dramatic
 and
 remarkable
 cinematic
 effect
 by
 some
 of
 cinemas
  most
 recognised
 and
 worshipped
 auteurs,
 including
 Eisenstein,
  Kuleshov
 and
 Pudovkin.
 
 
  Kuleshovs
 statement,
 as
 it
 appears
 in
 the
  gloss
 for
 this
  essay,
 clearly
 attempts
 to
 define
 what
 cinematography
 is
 through
  the
 means
 of
  montage.




 These
 two
 facets,
 montage
 and
 cinematography,
 are
 huge
  driving
 forces
  back end
 film,
 its
 message,
 and
 how
 it
 affects
 any
 given
 audience.
 It
 is,
  therefore,
 important
 to
 explore
 this
 powerful
  answer
 from
 such
 a
 notable
 mind
 in
  the
  creative activity
 of
 film
 and
 image
 making
 in
 general.
 Andrew
 (1976,
 p.
 5)
 suggests:
 
 
  Film
 theorists
  return
 and
 verify
 propositions
 about
 film
 or
 some
 aspect
  of
 film.
 
 They
 do
 so
 for
 both
 practical
 and
 theoretical
 reasons.
 In
 the
  realm
 of
 practicality,
 film...If you want to get a full essay, ball club it on our website: Ordercustompaper.com



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