Art Of The Late Nineteenth Century

Speaking about the late nineteenth century ruse , it is necessary to say that the transition from bingle century to other(prenominal) is always marked by the feeling of disillusionment as far as conventional themes and methods are concerned . there is an emptiness which prompts artists to search new forms , new means of materialisation . It is not always easy , however , which leads them to aspiration to lose from the usual reality to strange countries and ways of feeling . The ethnical phenomenon of fin de ciecle (end of the century ) naturally manifested itself in visual humanities and lead to emergence of impressionism and post-impressionismPartially , impressionism appearance was caused by the fastening of life tempo and industrial revolution . As a answer , impressionists aimed to depict the ever-changing reality they wanted to catch the mo of the life flow , which is never the same . Impressionist painters transmissible the romantic naturalist philosophy but chose different devices to better nature . The term postimpressionism was coined by the English artist and novice Roger Fry (1866-1934 ) in 1910 as a name for the heterogeneous prodments that grew out of Impressionism , but moved away from its naturalist tendencies . In the current I intend to analyze some of postimpressionists paintings to eviscerate the influence of traditional art and innovationOne of the just about prominent painters on the brink of the centuries was Paul Gauguin . When we speak of fascination with primitive and exotic art , we primarily mean this artist s attempt to move in this direction Like most postimpressionists he started as impressionism and was devoted to traditional objective rendering of nature with the suffice of new affectationing and light and shadow effects . In the course of time , when he was already a famous painter he realized inherent limitations impressionism had in itself and chose another direction .

He did it not only in the metonymic sense but he physically moved to Tahiti to look into new opportunities for art progress . Let s look well at some of his canvasses of Tahitian period to discover what novelty they bear and how they correlate with impressionist tradition , on the one hand , and primitive art forms on the other handOne of the most illustrative pictures of the series is called Femmes de Tahiti [Sur la plage] (Tahitian Women [On the Beach] ) The name itself suggests that the conventional submit matter of impressionism - conveying fleeting states of nature - is put excursus . The painter made people his objects and applied revolutionary proficiency to depict them The fist thing the eye catches is the unusual exotic coloring for the sky , the sea and the sand , which has nothing in common with the palette applied for European landscapes . The colors are rich and warm it seems they soaked exotic sunlight . At the same time we see that the artist doesn t aim at showing every subtle hue (if we speak of color ) or every subtle bend of human organic structure (if we speak of shape . On the contrary , he wants to bring about the impression of ultimate simplicity...If you want to get a serious essay, order it on our website: Ordercustompaper.com

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